About the Book:
Book: A Season to Dance
Author: Patricia Beal
Genre: Women’s Fiction
Release Date: May 6, 2017
Ana Brassfield has her path to the stage of the Metropolitan Opera House all figured out until her first love, renowned German dancer Claus Gert, returns to Georgia to win her back. Despite a promising start towards her ballet career and pending marriage to landscape architect, Peter Engberg, Ana wonders if her dreams of dancing at the Met are as impossible as her previous romantic relationship with Claus.
Then, an on-stage kiss between Ana and Claus changes everything.
Convinced the kiss is more than a one-time mistake, Peter breaks off their engagement. With an old dog crippled by arthritis and dreams deferred but not left behind, Ana moves to Germany to be with Claus. But the ghost of his late wife, Ana’s own feelings for Peter, and the pressure of earning a spot in a large ballet company are a high price for a shot at success. Ana seems on the verge of having everything she ever dreamed of, but will it be enough?
You can find the other stops on the scavenger hunt here!
About the Author:
Patricia writes contemporary women’s fiction and romance. She is a Genesis Award semi-finalist, First Impressions finalist, and the author of A Season to Dance and Desert Willow (Lighthouse Publishing of the Carolinas, 2017 and 2020). She writes from Fayetteville, North Carolina. Visit her at http://www.patriciabeal.com for more.
More from Patricia:
When I wrote the first line of my first novel in January of 2011, I wanted to get published because I was desperate to feel important.
I finished writing A Season to Dance that fall and hired coach Gloria Kempton via Writer’s Digest to look at the whole thing and tell me if it was any good.
She saw potential in the story of a small-town professional ballerina with big dreams, but explained I needed a clearer quest, more telling details, better scene structure, and better balance between sequels and dramatic scenes. I joined Gloria’s critique group and spent a year rewriting.
During that year, my husband got orders to move the family from Fort Benning, Georgia, to Germany, and he deployed for the sixth time soon after we settled on a lovely mountaintop in Idar-Oberstein.
When I finished rewriting, Gloria said the novel looked good and had everything a novel was supposed to have. But… “Something’s still missing. I don’t know what it is. We’ve covered it all.”
So of course I did what any writer desperate for validation would do. I told my coach that surely nothing was missing and that it was time to query. I hired a service to blast queries everywhere for me. I know… Shame on me… But God used that.
God’s Plan—Phase One
One query ended up with Mrs. Joyce Hart, of Hartline Literary. The novel wasn’t Christian—I wasn’t a Christian. She shouldn’t have received my query. But she did. She sent me a note saying she liked the storyline but that in Christian novels the protagonist couldn’t live with her love interest without being married. She was very kind and said that if she was missing the point and if the novel was indeed Christian that I should resubmit explaining the living together piece.
When I read it I laughed and rolled my eyes. I started typing a condescending reply. Something about Christian fairy tale brains and me living in the real world, but I decided not to send it.
Days passed. A week passed. A month passed. And all I did was collect rejections. I became bitter. Bitterly sad at first. Then bitterly discouraged. And then bitterly ugly. I’d never been ugly before. Not like that.
See, up to that point, I’d believed that there was some kind of “god” and that somewhere, somehow, being good was right and that it paid off. But with the disappointments of the publishing journey those beliefs became a joke to me. I stood in the middle of my empty German kitchen—husband deployed, kids at school, my first dog had just died. And I looked at that inbox full of rejections and stated to whomever or whatever was out there: “God is dead.”
Mercy. Surely I said that to the “god” of my imagination, and not to the real God—God as He reveals Himself in the Bible. But I know that He was in that kitchen with me. And phase two of His plan was about to start.
Luke 22:31-32: “And the Lord said, Simon, Simon, behold, Satan hath desired to have you, that he may sift you as wheat: But I have prayed for thee, that thy faith fail not: and when thou art converted, strengthen thy brethren.”
God’s Plan—Phase Two
As I lost all restraint and became the worst version of myself, God removed me from my green German mountaintop.
After less than eighteen months in Germany, we were sent back to America, to the Chihuahuan Desert in West Texas. To a place called Fort Bliss—a place from which you can see a Mexican mountain with the words: “Cd. Juárez. La Biblia es la verdad. Leela.” That translates to “City of Juárez. The Bible is the truth. Read it.” Gotta love it. God is good.
During the first six months back in America, I went to two secular writers’ conferences and met more rejection. My lack of restraint and my selfishness didn’t really make me happy. I wanted to go to therapy. I wanted a job. I still dreamed of that book deal that had to be just around the corner. I wanted, I wanted…
But nothing happened, and it didn’t matter how hard I tried to get help, get happy, and find any kind of relief for the pain I felt. Nothing. Happened. I’d never seen so many closed doors—slammed-shut doors—ever in my life. Even the shrink kept double booking, closing early, and somehow cancelling on me. It was ridiculous.
The One Open Door
When God planted our family in the desert, He planted us two blocks from a friend from the Fort Benning years. A friend whose claim to fame was church shopping whenever the Army moved her family. I asked her to take me to church on the first Wednesday of January of 2013.
I fell in His arms. Surrendered, defeated, and dependent. Or what God likes to call—ready. I was born again two weeks later and was baptized on Super Bowl Sunday that February.
Gloria’s “Something Missing”
I had tickets to go to New York for the Writer’s Digest conference that spring, but sometime in March, it dawned on me: “You silly goose of a girl. You wrote a salvation story without the salvation piece.” My first coach, Gloria Kempton, had been right all along. There was something missing!
A Season to Dance isn’t just the story of a small-town professional ballerina who dreams of dancing at the Met in New York and the two men who love her. It’s also the story of a girl desperately trying to fill the God-shaped hole in her heart with often misguided career and romantic pursuits.
I deleted Mrs. Hart’s email that week. Yes, it was still in my inbox. Job well done, Mrs. Hart.
Now, I had work to do. I spent 2013 and the first half of 2014 rewriting the novel. Five ladies from my Sunday school read chapter after chapter as I produced them and cheered me on through that gruesome process. I couldn’t have done it without their support. God is good.
Jeff Gerke edited my novel in the summer of 2014 and had me read Robert McGee’s The Search for Significance: Seeing Your True Worth Through God’s Eyes. God is good.
I went to my first Christian writers conference, the ACFW 2014 in St. Louis. Two weeks later, Les Stobbe offered to represent me. God is good.
ACFW 2015 was fantastic and many houses are looking at that first manuscript. God is good.
My family got saved, too. My husband in July of 2013. Our son in December of 2013. My mom in the fall of 2014. And our little girl just this past summer, the summer of 2015. God is amazingly good.
Author Interview with Patricia Beal
What literary pilgrimages have you gone on?
Inspired by Woody Allen’s Midnight in Paris, I visited Paris in search of 1920s literary history. The movie is by far my favorite movie about writing and about trying to get published.
Could you imagine wandering the streets of Paris at night like Gil, Owen Wilson’s character, and getting picked up by the Fitzgeralds, Hemingway, or T.S. Eliot?
This exchange makes me laugh every time:
Gil: Would you read it?
Ernest Hemingway: Your novel?
Gil: Yeah, it’s about 400 pages long, and I’m just looking for an opinion.
Ernest Hemingway: My opinion is I hate it.
Gil: Well you haven’t even read it yet.
Ernest Hemingway: If it’s bad, I’ll hate it because I hate bad writing, and if it’s good, I’ll be envious and hate all the more. You don’t want the opinion of another writer.
Hemingway then offers to take him to Gertrude Stein’s house to have her critique Gil’s novel. Wow!
I visited Shakespeare and Company during a writers’ meeting, and of course I had the A Season to Dance manuscript with me. I got to read the balcony scene rehearsal scene for the group to discuss! It was a huge treat and an honor to read my words there.
And yes, I did sit on the steps of Saint Etienne du Mont, where Gil
sits waiting for the vintage Peugeot. Did I expect it to show up with one of my literary heroes in it? Of course not … But for a brief moment, I looked at the road from where the
Peugeot would have emerged, felt the rush of butterflies in my stomach, and wondered, what if?
How do you select the names of your characters?
I usually have faces in my head first. Then I begin toying around with names—names that match the faces. Ana’s name is spelled this way because her mom grew up in Brazil and was also a ballerina. So she’s named after beautiful Brazilian ballerina Ana Botafogo. Peter is a man she mistakes for stability for her soul when no mortal men can give her that. What she really needs is the real Rock, the Lord. There’s a quirk about all the names of the people in her journey in the novel. I have a note on that in the readers guide. I won’t spoil the surprise. I do look at names’ meanings before going final on them. I also look at those long movie credits for last names.
What comes first, the plot or characters?
The characters. I always see them first then just follow them around…
To celebrate her scavenger hunt, Patricia is giving away the grand prize of a $50 Amazon gift card!
Enter for your chance to win below!